How Loud Should Mastered Songs Be?

What dB should 808 be?

How much should 808 stand out in mix as db.

I usualy set my kick to hit around -10 or -9db.

I found somewhere that 808 shoud hit at the same as kick or 5db lower.

Listen and set it how loud you want it to the kick, bass and the rest of the mix..

How many decibels is too loud?

Sound is measured in decibels (dB). A whisper is about 30 dB, normal conversation is about 60 dB, and a motorcycle engine running is about 95 dB. Noise above 70 dB over a prolonged period of time may start to damage your hearing. Loud noise above 120 dB can cause immediate harm to your ears.

Does mastering a song make it sound better?

Because mastering engineers have not heard your music before, they can catch the mistakes you’ve made over hours and hours of mixing. They can make your song sound even better than it did before. Learning how to master a song is important, because it changes how you mix.

What dB should you audio level be at?

For safety, no peaks should be above -6db. Most video editors agree that the overall audio level of your audio mix (all of your audio combined) should normalized between -10db to -20db. I personally level my videos around -12db with occasional peaks to -8db. The trick here is to stay away from 0db as best you can.

How many LUFS should my song be?

Shoot for about -23 LUFS for a mix, or -6db on an analog meter. For mastering, -14 LUFS is the best level for streaming, as it will fit the loudness targets for the majority of streaming sources. With these targets, you’re good to go!

How many dB is LUFS?

one dBBoth terms describe the same phenomenon and just like LKFS, one unit of LUFS is equal to one dB.

Is Mastering Music difficult?

Home mastering is hard – but it IS possible. There’s no question that it’s difficult to master with the same monitoring (and in the same space) that you use for mixing, and it can be very difficult to get that impartial “distance” from your music to know exactly what it needs.

Is Mastering necessary?

There is some debate of whether or not sending music into a professional mastering studio is a necessity. If the mix does not need any modifying : it is at a perfect volume level, fades are well done, EQ is consistent throughout, compression is right on, etc.; then there is no need for mastering.

What can mastering fix?

The mastering stage enhances the mixdown’s audio quality and prepares the entire track for distribution. This final step applies the same primary tools and techniques as mixing. For example, a mastering engineer will make slight adjustments to EQ, compression, saturation, stereo enhancement, and limiting.

What should my master peak at?

A good rule of thumb is to keep steady signals such as rhythm guitars, synths or pads at somewhere between -20 and -16 dBFS, with transient peaks (such as occur from drums and percussive instruments) no higher than -6 dBFS.

What dB should my mix be before mastering?

I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your song, without having to resort to turning it down.