Question: How Do You EQ Vocals Like A Pro?

What EQ frequency is vocals?

Male vocals will tend to have their fundamental frequencies between 100–300 Hz, while the fundamental frequencies of a female vocal will usually fall between 200–400 Hz..

Do you have to EQ vocals?

Vocal EQ work is performed to enhance the vocals so they sound best in our environment as well as within the band and within the song. And this is where most of your work is focused. Let me put it this way…not every singer has a golden voice. Adding to that, you have to modify the vocal to fit with the song.

Should I mix vocals in mono or stereo?

Use the stereo field. The lead vocal should be in mono and central in the mix but the BVs can have as much width as you like. Keep it balanced, pan as many left as you do right.

How do you fix muddy vocals?

The easiest way to use an EQ to fix muddy vocals is to use a low-cut filter and high-pass everything below a certain frequency, typically around 90-100Hz. This will help reduce proximity effect and any boominess in the performer’s voice.

Which reverb is best for vocals?

When it comes to pop vocals, I almost always end up going back to a synthetic reverb, either algorithmically generated or ‘sampled’ from a hardware unit that works this way. Having said that, the UAD1 Plate 140 has such a gloriously authentic sound that I often find myself using that on vocals too.

Should you EQ or compress first?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.

How do you master EQ?

Here are a few more things you can do using side-channel equalization:Widen the stereo image: Add a touch of high shelving at 8 kHz or higher.Reduce muddiness and tighten up the overall sound: Add some low shelving at 200 Hz or lower.Tighten up just the low end: Reduce frequencies below 75 Hz.More items…•Jun 8, 2017

How do you EQ your voice?

Applying EQ to a Voice RecordingUse a High Pass Filter to Cut Everything Below 80Hz. … Cut 100-300 Hz to Add Clarity. … Cut 300-400 Hz if the Voice Sounds ‘Muddy’ … A Wide Boost Between 2-6 kHz Can Improve Clarity. … Cut Around 3-5 kHz if the Voice Sounds too Sibilant.Nov 23, 2015

What is a good EQ setting for vocals?

Best EQ Settings for VocalsRoll off the low-end starting around 90 Hz.Reduce the mud around 250 Hz.Add a high shelf around 9 kHz & a high roll off around 18 kHz.Add a presence boost around 5 kHz.Boost the core around 1 kHz to 2 kHz.Reduce sibilance around 5 kHz to 8 kHz.Feb 14, 2021

How loud should vocals be in a mix?

If you mix them too loudly, they will stick out. What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

Where should vocals sit in a mix?

The vocals should sit well without any automation, but then towards the end of the mix I’ll turn the speakers down and listen at really low levels, and go through the mix 10 or 15 seconds at a time and ride up all the words and phrases that get lost, really do a ton of little micro rides on the vocal.

What is the best EQ setting for bass?

The “Perfect” EQ Settings: Unmasking the EQ32 Hz: This is the lowest frequency selection on the EQ. … 64 Hz: This second bass frequency starts to become audible on decent speakers or subwoofers. … 125 Hz: Many small speakers, such as in your laptop, can just about handle this frequency for bass information.More items…•Aug 15, 2010

How much EQ is too much?

How much EQ is too much? There’s nothing inherently wrong with large EQ boosts if the result sounds good — but if they’re more than about 6dB, it’s probably a sign that there’s a better cure somewhere else!

Why do my vocals sound muffled?

If your vocal recording sounds muffled or a bit too warm, try applying a wide boost of 2-3dB between 2kHz and 6kHz. Make sure you do this after the compressor though, not before! On the flip side, if the vocals sound harsh or brittle, try reducing these frequencies.

Should I master my beat before vocals?

Definitely record your vocals to the beat first, then master everything together. … Sometimes those producers will apply a little mastering to their tracks just to pump them up and make them sound loud and impressive.

Should Kick be louder than snare?

The snare is the foundation of the backbeat, and typically one of the loudest elements in the mix. Next, bring the kick fader up until it sounds almost as loud as the snare. It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum.

How loud should my beat be?

So, about how loud should a beat be to sell? … Now, for the customer, when an artist records on a beat, its very hard to do that when the beat is maxed out to 0db. Always give your artists headroom for their mixing, so for me i usually keep my client copies at around -5 / -6 dB to allow enough headroom.

How do I make my vocals sound professional?

10 Ways to Make Vocals Sound Modern & ProfessionalTop-End Boost. This is perhaps the easiest and fastest way to make a vocal sound expensive. … Use a De’Esser. … Remove Resonances. … Control the Dynamics with Automation. … Catch the Peaks with a Limiter. … Use Multiband Compression. … Enhance the Highs with Saturation. … Use Delays Instead of Reverb.More items…•Jan 5, 2017

How do you EQ like a pro?

Tip 1 – Have an intention.Tip 2 – Don’t rely on EQ alone, especially to shape the tone.Tip 3 – Prioritize cuts, but still use boosts.Tip 4 – Avoid applying EQ in solo.Tip 5 – Small changes soon add up.Tip 6 – Be more subtle with stock parametric EQs.Tip 7 – Don’t obsess over plugin order.More items…

How do you EQ out of nasal vocals?

The standard technique for identifying the offending frequency range is simply to set up a narrow-band EQ boost and sweep it across the frequencies until you find the spot where the nasal ‘honk’ is most pronounced. You can then place an EQ cut at this frequency, which is likely to be in the 800Hz to 1.5kHz range.