Question: How Loud Should You Master Your Music?

How loud is Spotify master?

Loudness Targets For Streaming Platforms ChartPlatformPeakLoudnessSpotify Loud-2.0 dBTP-11 LUFSYoutube-1.0 dBTP-13 to -15 LUFSDeezer-1.0 dBTP-14 to -16 LUFSCD-0.1 dBTP> -9 LUFS6 more rows•May 26, 2020.

How loud is too loud for speakers?

80 decibels is where problems begin to occur. This is the level of a normal working factory, or of a garbage disposal — it is twice as loud as a sound at 70 decibels. Experts suggest that eight hours is the maximum amount of time we can be exposed to this sound level without damaging our ears.

Should I use 16 bit or 24 bit?

16 bit is plenty since it provides almost 100db of range when most music has 20-70db of dynamic range. We record with 24 bit because we dont know the dynamic range before it is recorded and there is very little penalty for doing so.

How loud should my soundcloud master be?

Although there is no absolute loudness to which you should master your track, a great range when mastering for Soundcloud is -18 LUFS to -10 LUFS. Keep in mind that Soundcloud will normalize your track to -14 LUFS, so keeping the loudness around this figure will work well.

When should you normalize audio?

When to Normalize Your audio should come out sounding the same as it went in! The ideal stage to apply normalization is just after you have applied some processing and exported the result. … This may often help you to mix a dynamic sound and give you a nice hot signal going into further processors.

What should my master peak at?

A good rule of thumb is to keep steady signals such as rhythm guitars, synths or pads at somewhere between -20 and -16 dBFS, with transient peaks (such as occur from drums and percussive instruments) no higher than -6 dBFS.

Is Spotify 16 or 24 bit?

Apple Music, Spotify, TIDAL and other online stores/streaming services – 16-bit/44.1k WAV files.

Which is better 24 bit or 16 bit?

Audio resolution, measured in bits Similarly, 24-bit audio can record 16,777,216 discreet values for loudness levels (or a dynamic range of 144 dB), versus 16-bit audio which can represent 65,536 discrete values for the loudness levels (or a dynamic range of 96 dB).

Is stereo louder than mono?

Stereo isn’t louder than mono. However, stereo may sound louder since it sends two different channels to the speakers, and creates a simulation of space and width. … The reason for that is the way that the mono signal is produced.

How many dB is LUFS?

one dBBoth terms describe the same phenomenon and just like LKFS, one unit of LUFS is equal to one dB.

Should I master at LUFS?

The best mastering level for streaming is an integrated -14 LUFS, as it best fits the loudness normalization settings of the majority of streaming services. Although other measurements like the true peak value and other metrics need to be considered, -14 LUFS is the best mastering level when considering loudness.

How loud do audiophiles listen to music?

Audiophiles should have an SPL meter or an app for their phone to roughly determine what noise exposure they are currently experiencing, and attempt to average it no higher than 85dB.

Is audacity good for mastering?

Audacity is completely free, cross-platform and can be used to record, mix and master music. Joe Albano reveals how to master your tracks for no cost. Audacity is a fully-featured wave editor that works across Mac, PC and Linux operating systems. And the best part is.

Should Kick be louder than snare?

The snare is the foundation of the backbeat, and typically one of the loudest elements in the mix. Next, bring the kick fader up until it sounds almost as loud as the snare. It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum.

Where should vocals sit in a mix?

The vocals should sit well without any automation, but then towards the end of the mix I’ll turn the speakers down and listen at really low levels, and go through the mix 10 or 15 seconds at a time and ride up all the words and phrases that get lost, really do a ton of little micro rides on the vocal.

How loud should mastered songs be?

In general the integrated loudness value, measured with an ITU-standard meter, should be around -14LUFS, and the short-term level shouldn’t peak higher than -9LUFS.

How loud should your music be?

Experts recommend keeping sound levels at somewhere between 60 and 85 decibels to minimize the damage your ears are exposed to. If you are listening to music at around 100 decibels, restrict your usage to within 15 mins.

How loud should vocals be in a mix?

If you mix them too loudly, they will stick out. What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

Should I normalize audio before mastering?

A: Few mastering engineers rely entirely on the normalization function of a software DAW to adjust levels. Normalizing increases the gain of an audio file until its loudest point (or sample) is at the maximum available level of the system.

How many decibels can kill you?

150 decibels is usually considered enough to burst your eardrums, but the threshold for death is usually pegged at around 185-200 dB. A passenger car driving by at 25 feet is about 60 dB, being next to a jackhammer or lawn mower is around 100 dB, a nearby chainsaw is 120 dB.

Is 192KHz better than 96KHz?

The more bits and/or the higher the sampling rate used in quantization, the higher the theoretical resolution. … This means 20-bit 96KHz recordings have roughly 33 times the resolution of a 16-bit 44.1KHz recording and a 24-bit 192KHz recording has roughly 256 time the resolution of a 16-bit 44.1KHz recording.

Is LUFS louder than LUFS?

Even though the -14 LUFS version is technically quieter than the -6 version, it’s actually going to be perceived as sounding louder than the -6 one because the dynamics are preserved. … Once a stereo track of your final mix is complete, put a LUFS meter plugin onto the master bus and adjust the loudness where needed.

When should I normalize audio?

Audio should be normalized for two reasons: 1. to get the maximum volume, and 2. for matching volumes of different songs or program segments. Peak normalization to 0 dBFS is a bad idea for any components to be used in a multi-track recording. As soon as extra processing or play tracks are added, the audio may overload.